਀㰀䴀䔀吀䄀 渀愀洀攀㴀䜀䔀一䔀刀䄀吀伀刀 挀漀渀琀攀渀琀㴀∀䴀匀䠀吀䴀䰀 㠀⸀  ⸀㘀  ㄀⸀㄀㤀 ㄀㤀∀㸀㰀⼀䠀䔀䄀䐀㸀 ਀㰀䐀䤀嘀 挀氀愀猀猀㴀琀椀洀攀猀琀愀洀瀀㸀䨀甀氀礀 ㈀㤀Ⰰ ㈀ ㄀㄀㰀⼀䐀䤀嘀㸀
਀㰀䠀㄀㸀㰀一夀吀开䠀䔀䄀䐀䰀䤀一䔀 瘀攀爀猀椀漀渀㴀∀㄀⸀ ∀ 琀礀瀀攀㴀∀ ∀㸀伀渀 琀栀攀 倀愀爀琀礀 䌀椀爀挀甀椀琀Ⰰ 愀渀搀 唀瀀猀攀琀琀椀渀最 琀栀攀 倀愀爀琀礀㰀⼀一夀吀开䠀䔀䄀䐀䰀䤀一䔀㸀㰀⼀䠀㄀㸀㰀一夀吀开䈀夀䰀䤀一䔀㸀
By IAN JOHNSON
਀㰀䐀䤀嘀 椀搀㴀愀爀琀椀挀氀攀䈀漀搀礀㸀㰀一夀吀开䌀伀刀刀䔀䌀吀䤀伀一开吀伀倀㸀㰀⼀一夀吀开䌀伀刀刀䔀䌀吀䤀伀一开吀伀倀㸀

BEIJING

਀㰀倀㸀䤀一 琀栀攀 洀椀搀猀琀 漀昀 愀渀 甀渀甀猀甀愀氀氀礀 猀眀攀攀瀀椀渀最 最漀瘀攀爀渀洀攀渀琀 挀愀洀瀀愀椀最渀 愀最愀椀渀猀琀 愀爀琀椀猀琀椀挀 搀椀猀猀攀渀琀Ⰰ 栀攀 栀愀猀 瀀甀戀氀椀猀栀攀搀 愀 渀漀瘀攀氀 琀栀愀琀 瀀爀攀搀椀挀琀猀 愀渀 伀爀眀攀氀氀椀愀渀 昀甀琀甀爀攀 昀漀爀 㰀䄀 挀氀愀猀猀㴀洀攀琀愀ⴀ氀漀挀 琀椀琀氀攀㴀∀䴀漀爀攀 渀攀眀猀 愀渀搀 椀渀昀漀爀洀愀琀椀漀渀 愀戀漀甀琀 䌀栀椀渀愀⸀∀ 栀爀攀昀㴀∀栀琀琀瀀㨀⼀⼀琀漀瀀椀挀猀⸀渀礀琀椀洀攀猀⸀挀漀洀⼀琀漀瀀⼀渀攀眀猀⼀椀渀琀攀爀渀愀琀椀漀渀愀氀⼀挀漀甀渀琀爀椀攀猀愀渀搀琀攀爀爀椀琀漀爀椀攀猀⼀挀栀椀渀愀⼀椀渀搀攀砀⸀栀琀洀氀㼀椀渀氀椀渀攀㴀渀礀琀ⴀ最攀漀∀㸀䌀栀椀渀愀㰀⼀䄀㸀 椀渀 樀甀猀琀 琀眀漀 礀攀愀爀猀⸀ 吀栀攀 渀漀瘀攀氀Ⰰ 渀攀攀搀氀攀猀猀 琀漀 猀愀礀Ⰰ 栀愀猀 戀攀攀渀 戀愀渀渀攀搀⸀ 䤀洀瀀漀爀琀攀搀 挀漀瀀椀攀猀 栀愀瘀攀 戀攀攀渀 猀攀椀稀攀搀 愀琀 琀栀攀 戀漀爀搀攀爀⸀ 䈀漀漀欀猀攀氀氀攀爀猀 眀栀漀 洀愀渀愀最攀 琀漀 猀攀挀甀爀攀 猀漀洀攀 挀漀瀀椀攀猀 昀漀爀 猀愀氀攀 栀愀瘀攀 戀攀攀渀 猀栀甀琀 搀漀眀渀⸀ 㰀⼀倀㸀

And yet Chan Koonchung is not packing his bags to return to his native Hong Kong. Instead, he is hunkered down for the long haul, convinced that Beijing is the only place in China worth living.

਀㰀倀㸀ᰀ夠漀甀 渀攀瘀攀爀 甀猀攀 琀栀攀 眀漀爀搀 ᠀氠漀瘀攀氀礀ᤀ†琀漀 搀攀猀挀爀椀戀攀 䈀攀椀樀椀渀最Ⰰᴀ†䴀爀⸀ 䌀栀愀渀 猀愀椀搀 椀渀 愀渀 甀瀀猀挀愀氀攀 爀攀猀琀愀甀爀愀渀琀 渀漀琀 昀愀爀 昀爀漀洀 栀椀猀 栀椀最栀ⴀ攀渀搀 愀瀀愀爀琀洀攀渀琀⸀ ᰀ䈠甀琀 䤀 渀攀攀搀 琀漀 戀攀 椀渀 䈀攀椀樀椀渀最 戀攀挀愀甀猀攀 漀昀 琀栀攀 瀀攀漀瀀氀攀⸀ᴀ†㰀⼀倀㸀

For much of his career, that would have meant the beautiful people.

਀㰀倀㸀吀栀攀 㔀㤀ⴀ礀攀愀爀ⴀ漀氀搀 䴀爀⸀ 䌀栀愀渀 椀猀 戀攀猀琀 欀渀漀眀渀 昀漀爀 昀漀甀渀搀椀渀最 愀 氀椀昀攀猀琀礀氀攀 洀愀最愀稀椀渀攀 椀渀 䠀漀渀最 䬀漀渀最Ⰰ 䌀椀琀礀 䴀愀最愀稀椀渀攀Ⰰ 愀渀搀 猀琀愀爀琀椀渀最 甀瀀 愀 ᰀ氠椀琀攀 昀愀爀攀ᴀ†挀愀戀氀攀 琀攀氀攀瘀椀猀椀漀渀 猀琀愀琀椀漀渀 椀渀 吀愀椀眀愀渀Ⰰ 匀甀瀀攀爀 吀嘀Ⰰ 眀栀椀挀栀 栀攀 猀漀氀搀 琀漀 匀漀渀礀 䔀渀琀攀爀琀愀椀渀洀攀渀琀 椀渀 琀栀攀 ㄀㤀㤀 猀⸀ 䴀漀爀攀 爀攀挀攀渀琀氀礀Ⰰ 栀攀 栀愀猀 洀愀搀攀 愀 渀愀洀攀 昀漀爀 栀椀洀猀攀氀昀 眀爀椀琀椀渀最 挀甀氀琀甀爀愀氀 攀猀猀愀礀猀 漀渀 䌀栀椀渀攀猀攀 挀椀琀椀攀猀⸀ 㰀⼀倀㸀

“He’s very much circulating on the party circuit,” said Huang Hung, a Beijing publisher and social commentator. “That’s why this work comes as a little bit of a surprise, but it’s a terribly nice surprise.”

਀㰀倀㸀吀栀攀 眀漀爀欀 椀猀 愀 搀礀猀琀漀瀀椀愀渀 渀漀瘀攀氀 漀昀 䌀栀椀渀愀 椀渀 琀栀攀 渀攀愀爀 昀甀琀甀爀攀⸀ 䄀昀琀攀爀 琀栀攀 眀漀爀氀搀ᤀ猠 猀攀挀漀渀搀 昀椀渀愀渀挀椀愀氀 挀爀椀猀椀猀 椀渀 ㈀ ㄀㌀Ⰰ 琀栀攀 最漀瘀攀爀渀洀攀渀琀 挀氀椀渀最猀 琀漀 瀀漀眀攀爀 漀渀氀礀 愀昀琀攀爀 椀琀 猀攀渀搀猀 琀爀漀漀瀀猀 椀渀琀漀 琀栀攀 猀琀爀攀攀琀猀 昀漀爀 愀 洀漀渀琀栀 漀昀 戀氀漀漀搀礀 欀椀氀氀椀渀最⸀ 䘀椀渀愀氀氀礀Ⰰ 琀栀攀 最漀瘀攀爀渀洀攀渀琀 氀愀挀攀猀 琀栀攀 眀愀琀攀爀 眀椀琀栀 愀 挀栀攀洀椀挀愀氀 琀栀愀琀 洀愀欀攀猀 瀀攀漀瀀氀攀 昀攀攀氀 栀愀瀀瀀礀 愀渀搀 攀愀最攀爀 琀漀 猀瀀攀渀搀 洀漀渀攀礀⸀ 㰀⼀倀㸀

With China’s consumers finally unleashed from their age-old habit of saving, the country’s economy booms and it leaps past the United States and other Western countries. A golden age dawns.

਀㰀倀㸀䴀漀猀琀氀礀Ⰰ 琀栀漀甀最栀Ⰰ 椀琀 椀猀 愀 戀漀漀欀 愀戀漀甀琀 氀椀瘀椀渀最 椀渀 愀渀 愀甀琀栀漀爀椀琀愀爀椀愀渀 猀琀愀琀攀⸀ 䤀渀 眀栀愀琀 椀猀 瀀爀漀戀愀戀氀礀 琀栀攀 洀漀猀琀 搀愀洀渀椀渀最 瀀愀爀琀 漀昀 琀栀攀 渀漀瘀攀氀Ⰰ 琀栀攀 洀漀渀琀栀 漀昀 欀椀氀氀椀渀最 椀猀 昀漀爀最漀琀琀攀渀Ⰰ 渀漀琀 琀栀爀漀甀最栀 搀爀甀最猀 戀甀琀 愀渀 愀挀琀 漀昀 挀漀氀氀攀挀琀椀瘀攀 愀洀渀攀猀椀愀⸀ 吀栀攀 戀漀漀欀ᤀ猠 渀漀洀椀渀愀氀 栀攀爀漀攀猀Ⰰ 琀栀攀 挀漀甀渀琀爀礀ᤀ猠 圀攀猀琀攀爀渀椀稀攀搀 攀氀椀琀攀Ⰰ 昀椀渀愀氀氀礀 昀椀最甀爀攀 漀甀琀 眀栀愀琀 栀愀猀 栀愀瀀瀀攀渀攀搀 ⠀戀礀 欀椀搀渀愀瀀瀀椀渀最 愀 倀漀氀椀琀戀甀爀漀 洀攀洀戀攀爀 愀渀搀 昀漀爀挀椀渀最 栀椀洀 琀漀 琀攀氀氀 愀氀氀⤀⸀ 䈀甀琀 琀栀攀礀 攀渀搀 甀瀀 愀最爀攀攀椀渀最 眀椀琀栀 琀栀攀 最漀瘀攀爀渀洀攀渀琀ᤀ猠 洀攀愀猀甀爀攀猀⸀ 㰀⼀倀㸀

“This is one of the major untalked-about issues,” said Ms. Hung, who has championed the book on her popular microblog. “They want to drink the Chinese government’s Kool-Aid.”

਀㰀倀㸀吀栀攀 戀漀漀欀 椀猀 欀渀漀眀渀 椀渀 䌀栀椀渀攀猀攀 愀猀 ᰀ匠栀攀渀最猀栀椀 娀栀漀渀最最甀漀 ㈀ ㄀㌀Ⰰᴀ†眀栀椀挀栀 挀愀渀 戀攀 琀爀愀渀猀氀愀琀攀搀 愀猀 ᰀ䌠栀椀渀愀ᤀ猠 䜀漀氀搀攀渀 䄀最攀 ㈀ ㄀㌀⸀ᴀ†䤀琀 栀愀猀 樀甀猀琀 戀攀攀渀 瀀甀戀氀椀猀栀攀搀 椀渀 琀栀攀 唀渀椀琀攀搀 䬀椀渀最搀漀洀 愀猀 ᰀ吠栀攀 䘀愀琀 夀攀愀爀猀ᴀ†愀渀搀 椀猀 搀甀攀 漀甀琀 椀渀 琀栀攀 唀渀椀琀攀搀 匀琀愀琀攀猀 攀愀爀氀礀 渀攀砀琀 礀攀愀爀⸀ 㰀⼀倀㸀

Mr. Chan says forgetfulness is a fact of life in China; the government pushes certain historical memories to legitimize its rule, but quashes other traumas. “We’re still talking about the Opium War, but we forgot about the Great Famine and the Cultural Revolution,” he said.

਀㰀倀㸀䠀攀 搀攀挀椀搀攀搀 琀漀 眀爀椀琀攀 琀栀攀 渀漀瘀攀氀 椀渀 ㈀  㠀Ⰰ 眀栀攀渀 栀攀 渀漀琀椀挀攀搀 愀 猀栀椀昀琀 愀洀漀渀最 琀栀攀 攀氀椀琀攀⸀ 䌀栀椀渀愀ᤀ猠 爀椀猀攀 猀攀攀洀攀搀 琀漀 戀攀 挀爀漀眀渀攀搀 戀礀 䈀攀椀樀椀渀最 栀漀猀琀椀渀最 琀栀攀 伀氀礀洀瀀椀挀猀Ⰰ 眀栀椀氀攀 琀栀攀 圀攀猀琀ᤀ猠 瀀爀漀戀氀攀洀猀Ⰰ 眀栀椀挀栀 洀愀渀礀 椀渀 䌀栀椀渀愀 渀漀眀 瘀椀攀眀 愀猀 愀 瀀攀爀洀愀渀攀渀琀 搀攀挀氀椀渀攀Ⰰ 眀攀爀攀 栀椀最栀氀椀最栀琀攀搀 戀礀 琀栀攀 昀椀渀愀渀挀椀愀氀 挀爀椀猀椀猀⸀ ᰀ䄠 氀漀琀 漀昀 瀀攀漀瀀氀攀 爀攀愀氀椀稀攀搀 琀栀愀琀 䌀栀椀渀愀 搀椀搀 猀漀洀攀琀栀椀渀最 爀椀最栀琀 愀渀搀 琀栀攀礀 眀愀渀琀 琀漀 攀砀瀀爀攀猀猀 椀琀Ⰰᴀ†䴀爀⸀ 䌀栀愀渀 猀愀椀搀⸀ 㰀⼀倀㸀

He wrote the book in 2009 and it was published in Hong Kong and Taiwan at the end of that year. Chinese publishers declined to publish it. “Some were interested and I told them to read it first. They did and never came back,” he said.

਀㰀倀㸀䈀甀琀 戀礀 ㈀ ㄀  椀琀 眀愀猀 挀椀爀挀甀氀愀琀椀渀最 漀渀 琀栀攀 䤀渀琀攀爀渀攀琀Ⰰ 猀漀洀攀琀栀椀渀最 氀椀欀攀 琀栀攀 漀氀搀 猀愀洀椀稀搀愀琀 猀礀猀琀攀洀 漀昀 瀀愀猀猀椀渀最 愀氀漀渀最 戀漀漀琀氀攀最 挀漀瀀椀攀猀 椀渀 琀栀攀 匀漀瘀椀攀琀 唀渀椀漀渀⸀ 䌀栀椀渀愀 甀猀攀猀 愀 猀椀洀瀀氀椀昀椀攀搀 眀爀椀琀椀渀最 猀礀猀琀攀洀 挀漀洀瀀愀爀攀搀 琀漀 琀栀攀 琀爀愀搀椀琀椀漀渀愀氀 猀礀猀琀攀洀 甀猀攀搀 椀渀 䠀漀渀最 䬀漀渀最 愀渀搀 吀愀椀眀愀渀Ⰰ 戀甀琀 猀漀洀攀 瀀攀漀瀀氀攀 爀攀琀礀瀀攀搀 琀栀攀 戀漀漀欀 椀渀 猀椀洀瀀氀椀昀椀攀搀 昀漀爀洀⸀ 㰀⼀倀㸀

Mr. Chan said he noticed that these copies had many errors. So he fixed them and made his version available online, essentially pirating his own book. Over the past year, it has become a sensation, probably the most widely discussed book in China’s big cities.

਀㰀倀㸀䈀唀吀 椀琀 椀猀 瘀攀爀礀 洀甀挀栀 愀渀 甀渀搀攀爀最爀漀甀渀搀 瀀栀攀渀漀洀攀渀漀渀⸀ 䄀昀琀攀爀 戀愀渀渀椀渀最 椀琀猀 椀洀瀀漀爀琀 愀渀搀 琀愀欀椀渀最 猀琀攀瀀猀 琀漀 瀀甀渀椀猀栀 戀漀漀欀 搀攀愀氀攀爀猀 眀栀漀 琀爀礀 琀漀 猀攀氀氀 椀琀Ⰰ 琀栀攀 愀甀琀栀漀爀椀琀椀攀猀 栀愀瘀攀 渀漀眀 戀氀漀挀欀攀搀 愀氀氀 猀椀琀攀猀 琀栀愀琀 漀昀昀攀爀 昀爀攀攀 搀漀眀渀氀漀愀搀猀 漀昀 琀栀攀 戀漀漀欀Ⰰ 椀渀挀氀甀搀椀渀最 䴀爀⸀ 䌀栀愀渀ᤀ猠 愀甀琀栀漀爀椀稀攀搀 猀椀琀攀⸀ 㰀⼀倀㸀

Mr. Chan, however, remains a convinced Beijingophile, a rarity for people from Hong Kong, the Cantonese-speaking former British colony that remains wealthier and freer than the mainland. “Coming from Hong Kong, I had a Shanghai complex: Shanghai movies, Shanghai fashion,” he said. He also loved living in Taipei.

਀㰀倀㸀䠀攀 焀甀椀挀欀氀礀 爀攀愀氀椀稀攀搀Ⰰ 栀漀眀攀瘀攀爀Ⰰ 琀栀愀琀 椀昀 栀攀 眀愀渀琀攀搀 琀漀 戀攀 椀渀 琀漀甀挀栀 眀椀琀栀 眀栀愀琀 眀愀猀 最漀椀渀最 漀渀 椀渀 䌀栀椀渀愀 栀攀 栀愀搀 琀漀 戀攀 椀渀 䈀攀椀樀椀渀最⸀ ᰀ䄠琀 搀椀渀渀攀爀 瀀攀漀瀀氀攀 琀愀氀欀 愀戀漀甀琀 猀攀爀椀漀甀猀 琀栀椀渀最猀Ⰰᴀ†䴀爀⸀ 䌀栀愀渀 猀愀椀搀⸀ ᰀ吠栀攀礀 眀愀渀琀 琀漀 洀愀欀攀 猀攀渀猀攀 漀昀 䌀栀椀渀愀⸀ᴀ†㰀⼀倀㸀

Mr. Chan has become a fixture of Beijing’s social scene. He is tall and thin, his shoulder-length hair and chic rectangular glasses making him look younger than his 59 years. He dresses ascetically but with flair: tight trousers, a dress shirt buttoned up and a narrow-lapelled jacket. The look is almost designed to say: I am not from here.

਀㰀倀㸀䈀甀琀 栀攀 搀漀攀猀 昀椀琀 椀渀琀漀 琀栀攀 挀椀琀礀 爀愀琀栀攀爀 眀攀氀氀⸀ 䈀礀 䠀漀渀最 䬀漀渀最 猀琀愀渀搀愀爀搀猀Ⰰ 䴀爀⸀ 䌀栀愀渀ᤀ猠 䴀愀渀搀愀爀椀渀 䌀栀椀渀攀猀攀 椀猀 爀攀洀愀爀欀愀戀氀礀 最漀漀搀Ⰰ 猀漀洀攀琀栀椀渀最 栀攀 愀琀琀爀椀戀甀琀攀猀 琀漀 栀愀瘀椀渀最 戀攀攀渀 戀漀爀渀 椀渀 琀栀攀 挀漀愀猀琀愀氀 挀椀琀礀 漀昀 一椀渀最戀漀Ⰰ 攀瘀攀渀 椀昀 栀攀 搀椀搀 洀漀瘀攀 琀漀 䠀漀渀最 䬀漀渀最 眀栀攀渀 栀攀 眀愀猀 樀甀猀琀 㐀 礀攀愀爀猀 漀氀搀⸀ 㰀⼀倀㸀

He still travels widely abroad, but is intensely interested in the thick political gossip that swirls through China. “I like to know what’s going on, or at least what people think is going on,” he said.

਀㰀倀㸀吀栀愀琀 氀攀搀 栀椀洀 琀漀 猀琀愀爀琀 愀渀 攀ⴀ洀愀椀氀 搀椀猀挀甀猀猀椀漀渀 最爀漀甀瀀 漀渀 挀椀瘀椀氀 猀漀挀椀攀琀礀 椀渀 䌀栀椀渀愀 琀栀愀琀 栀攀氀瀀猀 栀椀洀 猀琀愀礀 椀渀 琀漀甀挀栀 眀椀琀栀 瀀攀漀瀀氀攀 椀渀瘀漀氀瘀攀搀 椀渀 琀栀攀 氀愀眀 愀渀搀 瀀爀漀琀攀挀琀椀渀最 琀栀攀 攀渀瘀椀爀漀渀洀攀渀琀Ⰰ 愀洀漀渀最 漀琀栀攀爀 昀椀攀氀搀猀 琀栀愀琀 漀昀琀攀渀 愀琀琀爀愀挀琀 猀挀爀甀琀椀渀礀 昀爀漀洀 琀栀攀 愀甀琀栀漀爀椀琀椀攀猀⸀ 䄀氀氀 琀栀椀猀 洀攀愀渀猀 栀攀 眀愀渀琀猀 琀漀 猀琀愀礀 椀渀 琀栀攀 挀愀瀀椀琀愀氀Ⰰ 搀攀猀瀀椀琀攀 琀栀攀 爀椀猀欀猀⸀ 㰀⼀倀㸀

OVER the past few months, the artist Ai Weiwei has been silenced after being arrested and then placed under house arrest. The author Liao Yiwu has fled into exile, declaring it too risky to continue publishing his books on society’s marginal figures.

਀㰀倀㸀䴀爀⸀ 䌀栀愀渀Ⰰ 栀漀眀攀瘀攀爀Ⰰ 猀愀礀猀 栀攀 搀漀攀猀 渀漀琀 昀攀攀氀 愀琀 爀椀猀欀⸀ 䠀攀 栀愀猀 愀 䠀漀渀最 䬀漀渀最 瀀愀猀猀瀀漀爀琀Ⰰ 眀栀椀挀栀 栀攀 琀栀椀渀欀猀 洀椀最栀琀 栀攀氀瀀⸀ 䄀最愀椀渀猀琀 洀愀渀礀 瀀爀攀搀椀挀琀椀漀渀猀Ⰰ 䌀栀椀渀愀 栀愀猀 琀爀攀愀琀攀搀 䠀漀渀最 䬀漀渀最 氀攀渀椀攀渀琀氀礀 猀椀渀挀攀 琀愀欀椀渀最 椀琀 漀瘀攀爀 椀渀 ㄀㤀㤀㜀 愀渀搀 琀漀氀攀爀愀琀攀猀 搀椀猀猀攀渀琀 琀栀攀爀攀 琀栀愀琀 渀攀瘀攀爀 眀漀甀氀搀 戀攀 愀氀氀漀眀攀搀 椀渀 琀栀攀 爀攀猀琀 漀昀 琀栀攀 挀漀甀渀琀爀礀⸀ 伀爀 椀琀 挀漀甀氀搀 戀攀 琀栀愀琀 栀攀 猀椀洀瀀氀礀 栀愀猀 渀漀琀 礀攀琀 最漀琀琀攀渀 漀渀 愀 戀氀愀挀欀氀椀猀琀⸀ 伀渀挀攀 漀渀Ⰰ 栀攀 猀愀礀猀Ⰰ 愀渀搀 攀瘀攀爀礀 挀爀愀挀欀搀漀眀渀 爀攀猀甀氀琀猀 椀渀 栀愀爀愀猀猀洀攀渀琀 漀爀 搀攀琀攀渀琀椀漀渀⸀ 㰀⼀倀㸀

“In China, whether you’re a dissident or not is up to the state,” he said. “You are on the receiving end; it is imposed on you. But I’ve never been labeled a dissident.”

਀㰀倀㸀䤀渀 愀渀礀 挀愀猀攀Ⰰ 栀攀 猀愀礀猀 戀攀椀渀最 愀 搀椀猀猀椀搀攀渀琀 搀漀攀猀 渀漀琀 洀攀愀渀 戀攀椀渀最 琀栀攀 漀甀琀氀椀攀爀 漀昀 琀椀洀攀猀 瀀愀猀琀⸀ ᰀ吠栀攀椀爀 瘀愀氀甀攀猀 愀爀攀 猀栀愀爀攀搀 戀礀 洀愀渀礀 瀀攀漀瀀氀攀 渀漀眀⸀ 䴀漀爀攀 瀀攀漀瀀氀攀 渀漀眀 眀椀氀氀 猀愀礀 ᠀䤠 栀愀瘀攀 爀椀最栀琀猀⸀ᤀ†吀栀愀琀 眀漀甀氀搀渀ᤀ琠 栀愀瘀攀 栀愀瀀瀀攀渀攀搀 ㌀  礀攀愀爀猀 愀最漀⸀ᴀ†㰀⼀倀㸀

Mr. Chan is somewhat fatalistic about the prospects for trouble. “It is like playing with a cat. You never know when its claws will come out.”

਀㰀倀㸀匀漀 昀漀爀 渀漀眀Ⰰ 栀攀 猀愀礀猀Ⰰ 栀攀 爀攀洀愀椀渀猀 挀漀洀洀椀琀琀攀搀 琀漀 䈀攀椀樀椀渀最 愀渀搀 眀爀椀琀椀渀最 愀 渀攀眀 渀漀瘀攀氀⸀ 吀栀攀 猀漀甀爀挀攀 漀昀 栀椀猀 洀愀琀攀爀椀愀氀㼀 ᰀ䤠 最漀 琀漀 愀 氀漀琀 漀昀 搀椀渀渀攀爀猀⸀ᴀ†㰀⼀倀㸀㰀一夀吀开䌀伀刀刀䔀䌀吀䤀伀一开䈀伀吀吀伀䴀㸀